
Richter on Film
Shot on a September afternoon, in 1971, on the lawn and inside the studio of Hans Richter's Connecticut home. The artist talks informally with Cecile Starr about his first experiences as a filmmaker, and about the interrelationship of his films and his paintings, scrolls and collages. Excerpts from Rhythm 21, Ghosts before breakfast and Race symphony help illustrate Richter's comments about how these pioneer avant-garde films were made in the years between 1921 and 1929.
Where to Watch
No US streaming subscription carries this title right now.
More Like This

The Irishman: In Conversation

Meshes of the Afternoon

Jim & Andy: The Great Beyond - Featuring a Very Special, Contractually Obligated Mention of Tony Clifton

A Woman of Paris: A Drama of Fate

The Director and the Jedi

2036: Nexus Dawn

An Adventure in Space and Time

The Brave Little Toaster

The Safety of Objects

Obi-Wan Kenobi: A Jedi's Return

The Fallout

Samsara

Dangerous Days: Making Blade Runner

I Shot Andy Warhol

Dragon: The Bruce Lee Story

They'll Love Me When I'm Dead

The Walking Dead: The Return

Harry Potter 20th Anniversary: Return to Hogwarts

Midnight Movies: From the Margin to the Mainstream

Symbiopsychotaxiplasm: Take One