
Light, Noise, Smoke, and Light, Noise, Smoke
"Fireworks were shot at a summer festival in Japan with a Super 16 format camera in order to obtain images on the optical soundtrack area on the filmstrip. The position of the photocell to read the visual information on the optical soundtrack area in a 16mm film projector is 26 frames in advance of the position of the gate to project the image. Each footage from 2 rolls of 16mm film were cut into shots of 26 frames each, and the shots were alternated from one roll to another, which would further separate the sound and visual, while producing a distinct rhythm throughout the film." (Tomonari Nishikawa)
Where to Watch
No US streaming subscription carries this title right now.
More Like This

Super 8

Nirvana: Live at the Paramount

The Skywalker Legacy

Safety Second

Blown Away

The Pixar Story

Secrets of the Force Awakens: A Cinematic Journey

Guillermo del Toro's Pinocchio: Handcarved Cinema

The Director and the Jedi

Fireheart

Midnight Movies: From the Margin to the Mainstream

Jaws @ 50: The Definitive Inside Story

A Fan's Guide to Ms. Marvel

Cosmic Ray

78/52

Obi-Wan Kenobi: A Jedi's Return

Cloverfield

Marvel Studios Assembled: The Making of Ms. Marvel

Wick Is Pain

Maria by Callas
